Culture shock

Following Jonathan's very succesful recital on Wednesday (see post below - one member of the audience sweetly e-mailed me 'it was nice and wonderful. I got a lot of positive emotions') Friday's got off to a challenging start, with the enormous 'Concord' Sonata of Charles Ives and the terrifying Concerto for solo piano no.4 of Michael Finnissy. Introducing the concert I tried to prepare the audience for what to expect, telling them to look out for the hymns, rag-time and Beethoven in the Ives, and comparing the Finnissy to 'extreme sport' and commending its exhilaration (Russian word 'voozdushevlyayushchii', quite exhilarating in itself).

The Ives went like a dream -the roller-coaster of the Finnissy was not too much inhibited by my failure to turn page 12 in time (a moment of high drama which I hope has been captured in Yuriy's video of the event). It really is a shocking - in the sense of electrifying - piece - like the jazz pianist Cecil Taylor on speed. The audience more than rose to the occasion and gave Jonathan rapturous applause, (though there were a few quitters at the interval, including T. who gave the diplomatic excuse that she had to relieve her baby-sitter).

Those who stayed on, including the great Ukrainian composer Valentin Silvestrov (on the right in the picture above, with Jonathan after the recital), were treated to a magnificent second half which included music by Silvestrov himself (two serenades for solo violin beautifully performed by Sonia Suldina and a piece for violin and piano in memory of Tchaikovsky), and the heroic Symphony for solo piano of Alkan, one of the peaks of 19th-century romantic pianism. The audience left only after demanding two encores (Scriabin and Revutsky) with standing ovations.

An amazing and memorable evening which was subsequently celebrated, to the accompaniment of a good deal of vodka, at the highly commended 'Bundesbar' in Lysenko Street, including toasts to the British Alkan Society, who helped with sponsorship for this mini-tour.

Incidentally the location of the recital, the House of Actors (left), is itself a remarkable building - formerly the Kenesa (synagogue) of the Kyiv Karaites (a Jewish sect originating from the Crimea, none of whom alas seem to be left in the capital).